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2024  

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08.19.24 | Back to basics



I had my first love affair with a specific lamp 2 years ago. It was a Roger Fatus 6110 floor lamp, proposed for the parlor of a townhouse in London. In the end, we went with something else but it stuck in my brain as the should-have-been choice, and remains filed away for my own someday dream home.

Around this same time, I tried on a blazer at Carven and it made me want to toss out my whole closet. It also made me think about the floor lamp.  Like Roger Fatus, Louise Trotter has managed to create pieces, and through these pieces a world, where nothing is try-hard but everything is considered. Her clothing feels like something maybe you already own, but timeless, elegant, and obviously better.

I have a theory, we can call it Perfect Piles, that if you could just manage to own a perfect version of everything, your life would look good all the time and you’d never have to think about messes again. Perfect is subjective and context specific- case in point, the interiors in Ira Sachs’ 2022 film, Passages, or literally any issue of Apartamento. I think this theory applies to both home and closet and isn’t something you can fake or do all at once; it only comes from intentionally consuming and making good choices.

I crossed paths with the floor lamp again this past Spring. I was at a cocktail party in the West Village, and there it was, standing quietly in front of a large Florian Krewer painting. Seeing it in situ just further confirmed my feeling that maybe our focus should be more minute. If we can take time to get the basics right, we can build spaces and lives that feel beautiful everyday, all the time.







1. Floor Lamp Model 6110, designed by Roger Fatus for Diserdot. ca 1950’s.| 2. Carven Spring 2024, Photographed by Kira Bunse.| 3.Carven Spring 2024, Photographed by Bibi Borthwick.| 4. Aluminum cigarette box, designed by Roger Fatus for Diserdot, 1966.   







Stills of the perfectly piled interiors in Passages (2022), directed by Ira Sachs. 


furniture For Thought

A few chairs you’d keep for the rest of your life. 

Herta Maria Witzemann Cane Dining Chairs, set of 6
Price on Request | via Aurelien Serre
Pascale Mourgue Contraste Chair C
$3,675 | via Sophie Buhai


07.17.24 | The Things she screenshot vol. i



I consume a lot of things, I screenshot as I go, and then everything gets thrown into the pot of soup that informs Objective, and everything else I make, do and like. I decided to keep track and give you three highlights from a week of consumption, in no particular order: 


1.  Villa Magnan

The TL;DR on Villa Magnan, a dream hotel on the southwest coast of France, is this: it’s everything and we should all be taking notes. At some point it will probably need its own post but for now, we’re focusing on one of their guest rooms, specifically an instagram photo from a few months prior I keep thinking about. 

It’s all a perfect smashing together of random things but the floor lamp in the back left corner gets extra points. I did a little digging and found a similar pair on 1stDibs, linked below. You’re welcome.


La Chambre Atelier, one of the guestrooms at Villa Magnan Biarritz, via Instagram. 



2.  Domenico Gnoli 

Domenico Gnoli was an Italian painter and set designer from Rome, who lived and worked in New York until dying from cancer at the age of 36, in 1970. His art career was short, but prolific; before passing he produced around 140 paintings- large but intimate portraits highlighting of the “thingness” of things. 

Rare Books Paris (which is a great source if you’re looking to add to your library) posted a painting of club chair, arms outstreteched and protruding from a borderless backdrop covered in the same floral as the upholstery. Immediate screenshot. The book sold, but you can see his 2022 exhibition at Fondazione Prada covered beautifully in Emergent Magazine


Domenico Gnoli Armchair, 1968.



3.  Sheila Heti on Sara Cwynar 

Sheila Heti already had my heart, but she won it further through her essay titled “Should Artists Shop or Stop Shopping ?”. In the piece, the habits of consumption and their implications in the life of the everyday individual are juxtaposed against the work of Sara Cwynar, a visual artist who creates elaborate photo and video works through the collage of various found objects and imagery (including 72 Pictures of Modern Art, wallpaper created for Exhibition at the Prada Foundation, which is unbelieveable and a different story for a different day)

I read this on a long train ride out to Rockaway and couldn’t help but think about its relevance; not limited to contemporary art. Viewed through the lens of interior decor it holds weight, and felt like an obvious and important inclusion on a blog about objects.
You can read the essay in its entirety, published on Affidavit sans paywall, or in the book “Art Essays: A Collection”, edited by Alexandra Kingston-Reese




furniture For Thought

Below, the mentioned 1stDibs find, and a table lamp I’ve had my eye on for a long time that’s incredulously still available. 

Pair of Cremer double reflector lamps, French 1950.
$1,999.54 / Set | via 1stDibs
Ceramic table lamp by Phillipe Duriez, French 1960’s.
$1,557 | via Okay Art

06.20.24 | In transition



Mid-May at the recommendation of a close friend, I picked up Marie Kondo’s book The Life-Changing Magic of Tidying Up. I’m reaching the tail end of the process, and while I can’t yet say that my life has changed, I am feeling lighter and surprised at how much there was to shed. I kept all my furniture but as someone who lives and works in a one-room studio sans-closet, if given the chance to go backwards I might rethink the bed.

Beds are big. They take up a lot of space, and the common options to rememdy this problem are often lack-luster at best. Murphy beds are hideous, and the cabinets aren’t fooling anyone. Your typical sleeper sofa is usually quite boxy and boring, and the mattress inside is probably not much better than sleeping on the floor. Andrea Zittel took solving this case to the extreme with the A-Z Comfort Unit. Designed as the ultimate do-it-all, each unit holds a bed encased various carts to support activities such as eating, working, or getting ready at a vanity, allowing you to live your whole life in bed.   

Outside of conceptual art, a daybed seems like the everyday answer, and the route I sort of wish I’d taken. They soften the functional boundaries of a space, provide seating and eliminate the need for an air mattress or destruction of your life when hosting guests. If chosen well, they’re also a smart investment that can move with you; just as at home in the living room of a Greenwich Village apartment as in the middle of an art studio in Brooklyn. 


Sofa bed in the Paris mezzanine of Pascal Greggory, photographed by Phillipe Girardeau, 1988. A beautiful example of blurring the lines of designated use. 



A-Z Comfort Unit by Andrea Zittel, 1995. 



The beauty of Marie Kondo is that the only rules are the ones you set for yourself. By the end you realize that it’s your life and you can do whatever you want; use a chair as a nightstand, paint everything in your apartment red a-la-Kembra Pfahler, or forgo a sofa and buy a daybed instead. 

Good examples, including the Lomazzi ‘Flap’ Sofa Bed, (which technically becomes a lounge chair but still): 

 





1. 60’s Italian Bamboo & rattan daybed in Rogers & Goffigon champagne bouclé | 2. ‘Model 192’ Sofa bed by Børge Mogensen for Fredericia, ca. 1950.| 3. De Pas D’Urbino Lomazzi Flap Sofa Bed, for BBB Bonacina, 1975. 




The things we surround ourselves with support us as we move through the various parts of our lives. If you are moving through your own transition or need guidance with a space, I look forward to connecting with you over a consultation

furniture For Thought

Bautier is a Belgian brand that makes beautiful, simple pieces. Their daybed, upholstered in something interesting, would be a deeply chic solution for the afformentioned issue above.

Guest Bed
4,030 EUR | via Bautier Furniture

05.21.24 | In Defense Of the Noguchi Table



I got a text from my best friend late the other night asking my opinion on a Craigslist coffee table. It was none other than the Noguchi. 


After we spoke, I started thinking about just how underrated of a table it is. The glass top is clear which makes it feel light, but the thickness of the piece gives it enough heft to still feel substantial. The sculptural bottom is unexpected, and the fact that it’s open lessens the physical and energetic space it takes up. It’s not a loud table, doesn’t scream at you when you walk in the room, and its soft curves keep it from being this obstacle that you trip over or stub your toe on.

It’s also seemingly missing from many of the screenshots and reference images I’ve saved as of late, and beautiful rooms I’ve spent time in. When I was 22, I ran a store in the West Village and we had one that sat quietly by the front door. I didn’t pay much attention then, but in hindsight it was, and still is, perfect. 
Screenshot from a 1950’s Herman Miller catalogue.


To take the argument further, I’d push that the Noguchi table is the standard all others should be measured against. A coffee table should give you enough room to stack things and hold stuff, but you also want something that still feels airy. Big solid rectangles and opaque bases leave no breathing, or literal walking room. In rare instances, you could make the case for a table that’s weird or interesting enough to break these rules, but those are few and far between. Case(s) in point:

   
Screenshot from an image of Château de la Haute Borde, a guest house & artist residency in the Loire Valley of France. Perfect stacks, perfectly anonymous.


 
   
Coffee table in Dakota Johnson’s LA Living room; interiors by Pierce & Ward. A table that has lived in my brain rent free since her AD House Tour. 



I think the biggest thing the Noguchi table has going for it is that it’s interesting. Deceptively simple, it’s a classic case of “why did no one think of that before ?”. 
Judging by the number of knock offs that populate on Pinterest, everyone wishes they had.

If you are looking for a coffee table or need assistance with styling one you already own, I look forward to connecting with you through a consultation.   



Furniture For Thought

A selection of tables that are decidedly not-Noguchi, (but still feel just as great). 


Janni Van Pelt 1950’s Round Table 
$8,750 | via Morentz
Arles Coffee Table
1,595 EUR | via Alice Lahana Studio


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